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MOREAU, Gustave Oedipus and the Sphinx 1864

MOREAU, Gustave Oedipus and the Sphinx 1864305 × 599 pixels
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Oil on canvas, 206 x 105 cm (81 1/4 x 41 1/4 in.) Metropolitan Museum of Art, New York

Moreau's interpretation of the Greek myth draws heavily on Ingres' Oedipus and the Sphinx of 1808 (Musée du Louvre, Paris), which was exhibited in Paris in 1846 and 1855. Both painters chose to represent the moment when Oepidus confronted the winged monster in a rocky pass outside the city of Thebes. Unlike her other victims, he could answer her riddle and thus saved himself and the besieged Thebans. The painting was a success at the Salon of 1864; it won a medal and established Moreau's reputation. Moreau made more than thirty studies for this work and many repetitions after it. - The Metropolitan Museum of Art

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MOREAU Gustave Evening Voices c.1885

MOREAU Gustave  Evening Voices c.1885
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Watercolour

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MOREAU Gustave Saint Cecilia , 1897

MOREAU Gustave Saint Cecilia , 1897
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Gustave Moreau, French, 1826-98
The Angels Announcing Her Impending Martyrdom
Oil on canvas, Private collection

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MOREAU Gustave Saint Sebastian and the Angel (detail) 1876

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Oil on wood 67.8 x 38.7 cm, Fogg Art Museum, Harvard University

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MOREAU Gustave View of the Villa Borghese 1858

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Watercolour

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MOREAU, Gustave Hesiod and the Muse 1857

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Pen, ink, and chalk on paper private collection


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MOREAU Gustave King David (detail) 1878

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Gustave Moreau, French, 1826-1898, Symbolism

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MOREAU Gustave King David, 1878

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Gustave Moreau, French, 1826-1898, Symbolism

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MOREAU Gustave Galatea c.1896

MOREAU Gustave Galatea c.1896
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Watercolor and gouache on cardboard Thyssen-Bornemisza Museum (Spain) Dates: circa 1896

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MOREAU Gustave The Apparition c. 1876

MOREAU Gustave The Apparition c. 1876
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Image courtesy of freeparking

Oil on canvas Musee du Louvre (France)


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